Vietnam

Seek and you shall find it

Two weeks into travel around the coast and to four major cities in Viet Nam, and I’m ready to tell you a little bit about it. Yes, it really looks like this. Buses and trains around the countryside have shown me a thing or two about natural beauty again, something I’ve missed while living in the Piedmont of North Carolina.

Also, two weeks for the first time in four and a half years of being the only one to hang around and take care of my son. Trying something. An expermiment. It’s about what it feels like to travel with a young child as a single woman.

Trying something new

A dozen years ago, I did this but without a little kid. People thought I was nuts back then. But now, with a kid in tow, it’s different. I actually couldn’t be bothered what people think because I know that world travel was the only and best education I ever got. And I was already 23 by then, when I quit my job in architecture and sprung for a ticket to Delhi.

This time, I’m going with more comforts, like decent hotels and more meals. Kush is four now, so he can do things like quiet time and go to the bathroom on his own and that kind of stuff. So it’s helpful. It’s nice, too, in a way, to learn to connect with him again—it reminds me of when he was a newborn, believe it or not.

Except, I get a full night’s rest now.

And that he picks up Vietnamese. Continue reading

The power of words to transform us

Sometimes you have to go with it.

Your gut.

That’s why about two years ago Design Kompany set up an offshoot to simply focus on the art of conversation. Dialogue, great dialogue, is THE key ingredient in any well-orchestrated creative process. They have all kinds of words for this, but the big idea is that you have to come to the table ready and open to sharing. And that doesn’t mean sharing just what YOU think. Most of the work is in listening.

The grand experiment

To get better at it ourselves,  in 2012 we did a “Year of Dialogue,” dedicated to making space for meaningful offline conversation. Enter Orangutan Swing.

We didn’t know what was going to happen, at the start. Had we had to apply for a grant for what we wanted to do, we probably wouldn’t have gotten it. (I did apply for one, and that’s how the idea got crystallized, but it got lost in the mail. Yet, I’m somehow glad about that. It was fun to just go ahead and try it.)

Academics doesn’t mix well with the creative process, and eight years into DK, Akira and I were too far in, too committed because we’d seen the beauty of real transformation in people that can come of a solid, clear dialogue. And the conditions required to do it started to become clearer over the 32 roundtable conversations. People cry. They change their whole lives. They thank us. This is the reward.

Practicing dialogue through the Orangutan Swing roundtables was great, but then what do you do with it? To share what we’ve gathered, in 2013 we’re doing STITCH. And Akira’s taken it to heart to completely organize and run this Kickstarter to raise funds for it. Only six days away and we’re at 15%, with 52 backers at the time of this update.

The last time I saw him like this–managing a lot of tasks all at once–was when he headed up the World Beer Festival here in Durham in 1999. The time before that was when he organized the Ultimate Allnight Bash at N.C. State, where we worked together on such events, in 1994. Oh, and when he had to do his thesis, too. “Give me some space,” he said. I took it personally, back then. But all this time later, I know when Akira needs space the best thing to do is to make myself scarce. With our son, preferably. And that’s what I’m doing.

But while the boss-man sleeps, I have time to give you this update on the importance of STITCH to us.

Why it matters.

Why does anything matter, anyways?

That is the apathetic feeling I remember having about Americans in general in the three years I was living in Ireland with Akira, after we eloped.

What does anyone give a damn about, anyways, that doesn’t have to do with something completely self-serving?

I mean, sure, altruism is a four-letter word to some people. But why does it have to be?

Why does anything have to be anything?

What if we could dream, though? What if we were allowed to do something very simple, like think together as a small community of people who live in one place about what we’d like it to become?

Visioning doesn’t have to be fancy. You don’t need a suit and tie, or Power Point. You just need to be good at dialogue.

And after the practice, we concocted STITCH.

Here are the words, all top 276, gathered from more than 500 people in Durham about what they want to see it be. The larger the word, the more people who said it.

5d4954b68a302fd6081cb8f67e904ad2_largeA picture, right? A picture’s worth a thousand?

Words change us.

They shape us.

The quantum physicists knew this, and they told us that just by observing something the physicality of it changes. It changes. That means with our thoughts, we can move atoms around. With our words, we can drive whole new ways of being into actually, well, being.

That’s why this is important.

It’s Eastern, sure, to set your intention and to clear your mind when you come to the table. Zen. That’s because we’re totally influenced by Japan, where we spent a year together in that early time in our lives together, too. White space. Quiet reflection. Not trying to be right about everything all the time. Even embracing uncertainty, because at the end of the day, there are really no guarantees.

I lost people in my life, at all points, to various ailments or just old age. So does everyone. Pain comes. Sometimes work isn’t what you want it to be. Sometimes things don’t work out with a foetus, or a child, or something else. That’s life, we say. Throwing our hands up in the air.

But when something hard hits us, really hard, I mean, what do most of us who are truly affected do?

Shift.

Make some big changes.

Quit, remarry, or take that all-important trip.

Go to where the thing is that the heart craves, because only when we’re made to face Death are we able to see Life, and what we have of it, and take it. Embrace it.

Durham is just a testing bed for an idea that wants to go places beyond North Carolina. STITCH is already in motion for us as we plan a move to India to work on how to create meaningful dialogue with an intriguing and experimental group who’s invited us that’s based in Sikkim.

Of course, it’s not the easy thing to do. It’s easier to stay. But why? Why not dream up something, and set an intent, and go see what comes of it?

Maybe we’ll even learn a thing or two.

STITCH has a kickstarter underway for just a few more days. Last week to back it, so please kick in here, and help us spread the word, too. Because dreaming is becoming, and becoming is the joy of life.

How to kill the creative process: pander

A set of images that convey the intended "look and feel."
Do you make art so people buy it, or so you can say something you want to say?

Once upon a time I was a reporter. I worked for a trade journal, a daily, and I was trained to write fast, and in concise, clear sentences.

The point was to put all the important bits at the top, since almost no one reads an article from start to finish. Sure, you write it all, but that’s not the point.

The point better be right up at the start.

And for this post, it’s this: that’s boring. Continue reading

Fewer facts and more meaning, please.

AtKornerhausAkira Morita at Kornerhaus, DK’s Seattle office from 2007-2009.

Today I’m going to talk about houses, structures, heart, and a little bit of metaphysics. Ready? Here we go.

“Education is what remains after one has forgotten everything he learned in school.” – Albert Einstein

Metaphysics and the questioning of ‘being’

Every so often I’ll go to the metaphysics section of Lilly Library on Duke’s East Campus just to see what’s in the printed pages. It’s only a stone’s throw from DK World HQ here in Trinity Park. The books are old. Sometimes that’s a comfort.

Like the time we moved into a house from the 1920s, while in Seattle. The downstairs would become our office, pictured above. The upstairs we’d call “the apartment,” because the stuff that fit into our couple of 800 square-foot spaces around Capitol Hill prior could nicely manage themselves there. A quiet, humble place. You wouldn’t know, from the outside. It had green, peeling paint. Didn’t look nice, and to my mother, it didn’t even look safe. (That might have had to do with the bars on the windows, which we tried to not notice as much as we could.)

But overall the place had a good feeling.

That was confirmed when two clients of ours, architects in town, stopped by to tour it with us before Akira and I made the call to move in. The two-story was sturdy, they said.

“If a building’s withstood a couple of earthquakes,” the architects surmised, “it’s gotta be solid.”

Besides, it just had a nice feng-shui to it, and lots of windows. Windows in every room, as a matter of fact. So we moved in, and lovingly called it Kornerhaus. (Friends who knew that iteration of DK may recall some of the less-pretty parts, but for us, the place had a solid structure. A good heart. Sometimes, I miss it.)

What the heart can teach us

Speaking of heart and what it takes to begin with the inside of a thing, there are a couple of things on my mind. When you have a group trying to find consensus on what it wants to become, what do you do? A little about Akira’s experiment was reported recently in the Raleigh News & Observer here.

The other thing is this.

What it it’s not authentic?

I fear that we Westerners continue to put the stacking of knowledge above making sense of what’s there. What does it mean, anyways?

Metaphorically, it’s like simply adding a new layer of paint on the outside. But applique isn’t the same as true expression.

How do you go into the heart of the thing, and see what’s there, and how it’s working? How do you let the *true self*, in other words, express itself outwardly to the world?

Back to the library. That’s where I always go when the questions get too big.

At Lilly, I found a book called Nature, Man and God by Oliver Reiser, printed by the University of Pittsburgh Press. Here’s what he said:

Continue reading

How we met 1,000 bright new faces in 2012

ayearofdialogue-bigOnce upon a time two people who worked together dreamed up the “Year of Dialogue” project, a series of 32 roundtables that convened more than 1,000 people on both US coasts.

This was inspired by a simple conjecture: how can we create containers for meaningful, offline dialogue? Because that, it turned out, was the key ingredient to doing design well. After eight years of conversations with CEOs of companies large and small, brilliant up-front dialogue is what we determined. More about that in the Orangutan Swing (the project site we set up just to test this thesis) Year of Dialogue Annual Report.

Design Kompany’s community service goal in 2013?

Enchant.

Look for more of how this’ll unfold over at Orangutan Swing. Currently underway is the grassroots, volunteer, Durham brand design project STITCH.

 

What I learned about quality from Zen and the Art of Motorcycle Maintenance

Love

‘Love’ is quality. Art directed by Design Kompany’s boss-man, now a charming 4.

‘What is quality?’ asks Robert Pirsig, relentlessly, in his masterful book Zen and the Art of Motorcycle Maintenance.

Twelve years after making an attempt to start Zen and the Art of Motorcycle Maintenance, I’ve just finished it.

It didn’t “do anything” for me in my early 20s, but I am glad this time I got through to the end. (It wouldn’t “do anything” for me now if I hadn’t.) But “quality” is the theme I set for January for Kismuth, my forthcoming book project’s email community.

Delving into the heart of it, that’s significant. Only on the deep insides of a thing do you find its true nature, its quality. Lessons learned with widsom, right?

Back in my 20s, nonplussed, I’d simply stayed on ZAMM’s surface, wondering things like if my laundry was done or who was cooking noodles Thursday. But all this time later, things are different. I’m not so concerned about the day to day stuff. I want to know about things that are meaningful.

So this time, reading along, I focused.

And then, I cried.

(I always do this when things are extremely good. Dali’s Dream, Michelangelo’s David. Crater Lake. And now, ZAMM.)

This is the passage that evoked the tears:

Continue reading

Who Else Thinks New Year’s Resolutions Suck?

iwant

Have you got a new year’s resolution that you stuck with for more than a month?

Yeah… Me, neither.

Here’s last year’s top ten new year’s resolutions, according to statisticsbrain.com and the University of Scranton Journal of Psychology:

  1. Lose Weight
  2. Getting Organized
  3. Spend Less, Save More
  4. Enjoy Life to the Fullest
  5. Staying Fit and Healthy
  6. Learn Something Exciting
  7. Quit Smoking
  8. Help Others in Their Dreams
  9. Fall in Love
  10. Spend More Time with Family

Here’s the thing. We all know new year’s resolutions suck. Why?

Let me tell you.

Continue reading

Why personal relationships matter

These are some pictures collected over the last six years. Most of are me and Akira talking with clients, at their offices or ours. Some are of us meeting like-minded creatives: illustrators, writers, artists, and game designers. We like to learn from the smartest people in the room.

Let me share our secret discovery.
Continue reading

trustproc

New ideas are scary. Do you step away? Or lean into the fear?

Are you an idea person? Do you share them regularly?

If you do, unless you are one of those idea mavens that come up with hit ideas left and right, you must be familiar with the “look.”

The look that says:

What are you talking about?

Who are you kidding?

Are you out of your mind?

And:

Why don’t you just shut up and do your work?

I have heard all this, and some, throughout my career life whenever I get these wild ideas. Some, admittedly really bad ideas, might have deserved these looks. Some, not so much.

But that’s not even the point.

Coming up with ideas… And getting them out and shared, facing the critics, and willing to put them through test. These actions are the points themselves.

And, they come with benefits and rewards.

Like, better, new ideas that you haven’t thought of.

Or the fact you will be just that much more likely to take these actions next time, instead of toiling away on the more familiar, more comfortable tasks.

All my life, I’ve been an idea person. I’d come up with these elaborate schemes for a bake sale as a kid. I must have talked about a dozen “business ideas” while in college.

And, I’d sit on lots of these ideas, not acting on them. And I realize, those ideas that I didn’t execute are worth nothing. Even worse, I learned nothing from them.

The ones that I did act on, I’ve gained so much from them, even the ones that didn’t turn out great. And every action step counted, from simply sharing the idea with a friend, writing it down, to fully committing to the idea and making it a reality (and failing at making it a reality). More you act on, more you gain. Simple.

Simple, but it’s just scary. So you dismiss it. Make excuses. Procrastinate. Get busy with other, “more important” things.

The only way through this, in my own experience, is to practice doing it. Just. Do. It.

So, lately, I’ve been making a conscious effort in moving a more of these ideas into action. And there are a few ideas-in-progress that I’m ready to launch or otherwise share with you.

And these ideas really, really scare excite me.

We just announced our brand-new e-course (what the heck is that? I didn’t know until last year, either. It has something to do with emails, web site with logins, and works like correspondence university), called STEER, yesterday.

It’s an idea that we had thought about for at least four years:

—What if we can make our in-person, wonderfully long-winded, comprehensive and all-consuming process of designing legacy business into bite-size chunks that are easy to digest, and bundle them into a guided DIY course?

The result, after years of writing, thinking, researching and generally sitting around with it, is what we are offering as STEER.

STEER

We have at least another follow up course in the works, too. The goal is to create a framework that we can use to spread what we’ve accumulated over the last eight years of legacy making, into the minds of people who need it the most: the curious, hard-working, smart individuals of the next golden era of creativity. To empower those who are ready to be the changes they want to see in the world.

But boy, are we scared.

What about you? Do you have ideas that you’re ready to share with the world? I’m all ears. The world needs to hear you and your ideas, sooner than later.

 

Aesthetik-800

Walk into the Era of Enchantment

“EVERY WORK of art,” writes Leo Tolstoy in chapter five of What is Art?, causes the receiver to enter into a certain kind of relationship both with him who produced, or is producing, the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic impression.”

More than a decade ago I found this quote and printed it, cut it out, and toted it around the world in a failing backpack I got for Y3000 at a flea market in Tokyo. Continue reading